SONNET 14 |
PARAPHRASE |
Not from the stars do I my
judgment pluck; |
I do not receive my knowledge or make my decisions by the stars; |
And yet methinks I have
astronomy, |
Though I have enough training in astronomy to do so, |
But not to tell of good or
evil luck, |
I cannot predict good luck or bad, |
Of plagues, of dearths, or
seasons' quality; |
Or plagues, or dearths, or the weather; |
Nor can I fortune to brief
minutes tell, |
Nor can I say what will happen at any given moment in our daily lives, |
Pointing to each his
thunder, rain and wind, |
Alloting to each man his thunder, rain, and wind (ie. He cannot
fortell our personal troubles], |
Or say with princes if it
shall go well, |
Or even tell princes if things will go well for them, |
By oft predict that I in
heaven find: |
By frequent omens that I see in the heavens: |
But from thine eyes my
knowledge I derive, |
But from your eyes alone do I derive my knowledge, |
And, constant stars, in them
I read such art |
And they are my constant stars, in which I read such art [gain such
knowledge] |
As truth and beauty shall
together thrive, |
That I see truth and beauty will live together in harmony, |
If from thyself to store
thou wouldst convert; |
If you would only turn your focus from yourself to creating a child; |
Or else of thee this I
prognosticate: |
Or else this is my prophecy: |
Thy end is truth's and beauty's doom and date. |
That truth and beauty will all end when you die. |
ANALYSIS In Sonnet 14 the poet
first reveals that it is not through science (astronomy), or his own
judgement, or personal experience that he obtains his knowledge about life
and love -- all that he knows comes simply and only from his lover.
("But from thine eyes my knowledge I derive"). And the primary
lesson the poet learns from his lover's eyes is that, if his lover refuses to
focus on creating a child to carry on his (or her) lineage, all the ideals
embodied by his lover will cease to exist. This is yet another variation on
Shakespeare's theme of the necessity of procreation that dominates the early
sonnets. |